Every morning we wake up at least an hour before we otherwise would have, filing quietly and nonchalantly to our seats. It’s a control that you get used to, if only for the monotony of it. It’s rhythm: after a while you get used to it, and after even longer you’re still used to it – even if you don’t want to be. So when the man at the podium says, “Be seated,” we sit; when he says, “stand,” we stand; and when he says, “… dismissed,” we’re up before the words are off his tongue. We’ll stand up and file out the doors, most of us unchanged.
Today, I’m seated in chapel as I pull out my book, intent upon getting something productive out of the thirty to forty-five minutes I’m forced to give in order to keep my attendance. Most of the noise, I’m used to. I can read with little interruption. I tune out fairly well.
“I want you to close your eyes and focus on the cross as we sing these songs”
A few bold, but mostly feeble voices are raised in a mixture of worthy but mostly pathetic praise. One of the bold and worthy sits within the shot of my ears. I hear her daily, as true and constant as any other in existence. Her voice is loud. I said her voice was within the shot of my ears but I didn’t say that she sits close to me because she doesn’t. She keeps the tune but sags the pitch. Every word is enunciated clearly. Her tone is saturated with breathiness and a disagreeable nasal quality. The honesty of her voice, the care that she takes with every word and the sincerity of a soul offering a gift to God, all come together to make her song extraordinary. She is one. Around are many who don’t; they just don’t and we just don’t. Whether it is because their hearts despise praise or that they have been made indifferent by the monotony of which I spoke earlier — I cannot speak for them. I have already spoken for myself with the latter. Because of this, I am reading.
“There were no names, however, and no numbers. His shoulders drawn-up, tears of cold in his eyes”
It was hard to do at first, reading that is, and is sometimes difficult still, but not as. Every now and then, mid-sentence, I’ll hear the words of the man at the podium. The page and what is spoken knit themselves together into an unintelligible weave. I am then forced to re-read but never re-listen.
“When I survey the wondrous cross on which the prince of glory died”
I look up and hum along, slowly transitioning to words. I enjoy this hymn. I appreciate a well-written hymn and this is one of them. I know the words; they are quite familiar. They slide from mind to mouth with ease. I hear myself and hear the other, bold and worthy. It is over. I look down and re-read a bit and read a bit more.
“And though the self ridicule was slow to diminish, and his face still blazed with it, he had, nevertheless, a feeling of elation, too. ‘For after all,’ he said, ‘he could be found!’”
I’m finished and I close my book and put it away. I sing the rest of the songs with mild interest. The man at the podium fails, pauses, and picks up again. He does his job because he wanted it.
“Our greatest fear is that we will forget your sacrifice. Everyone in this room prays for your mercy”
We’re dismissed. I stand up peacefully, content with the time I spent and what I made of it. Perhaps the requirements of my faith are contented by the honest appreciation for the bold and the worthy, despite my own weak participation.
The crowds file out slowly. It’s cold outside in the southern states and we enter the thick of April.